Note: Not all of today’s Guest Poets and their poems are about winter. Rather, the poems are gems to keep for a snug-in-the-ol’-cabin winter night, or to spark the spirit while reading one or more over strong, morning coffee. They are meant to thaw the gray matter and poke the fires of thought which we all need during the season of thick quilts, warm mittens, and hot chocolate. While we’re at it, the poems also speak directly or indirectly to how fortunate are those who have quilts, time for morning coffee, and if truly blessed, a cozy cabin.
Here we are – the Solstice - the first day of Winter and the one with shortest amount of daylight in the year. After today, slowly increasing daylight (also slowly) brightens our mood. The first day of winter, eh? Then why is it that in Minnesota, we local folks always feel like we’ve been in the snowy season for at least six weeks before the actual calendar date marking the change of seasons? That’s because we typically are, but not this year.
So far (and remember, yesterday was the last day of autumn), we’ve had it easy – or should I say we’ve been comfortable? Normal or above temperatures. Precipitation below normal. That’s not such a good thing for our tree friends nor for glacial aquifer nor for the needs of our invaluable farmers. When we did have precipitation, so far it has been snow – the fluffy, sparkling kind, so perfect it looks like the floor of a downtown display window. So far, no ice has covered the ground, so if you dare, take the spikes off your mukluks.
The first day of Winter is a good time to check in on our weather of the recent past and try to guess what the next 3 months or so will bring. We had a magnificent Autumn. Our insect friends packed it in early. Even the mosquitoes flew south – or somewhere – in early September. Lots of sunny days and Beltrami Island Forest in all its autumnal glory.
Looking forward, some forecasters say that we’re in for a harsh, tough winter. Others say not so much. If you want it from the crystal ball of The Farmer’s Almanac, (a big-sister publication to the Wannaskan Almanac) you’ll find predictions of a strange season, like so many in recent decades. Temps are expected to be above normal. So is precipitation, especially on the west side of our gopher State for Minnesota. Here you go. . .
ANNUAL WEATHER SUMMARY
NOVEMBER 2020 TO OCTOBER 2021
“Winter temperatures and precipitation will be above normal, while snowfall will be above normal in the east and below normal in the west. The coldest periods will be in early to mid- and late December, late January, and late February. The snowiest periods will be in late December, early and late January, late February, and early March. [And farther into 2021] . . .April and May will be warmer and drier than normal. Summer will be hotter and drier than normal, with the hottest periods in early June, early July, and mid- and late August. September and October will have below-normal temperatures and precipitation.”
Honestly, I don’t pay that much attention to the weather around the country unless Gaia kicks up a couple of notches with a tornado or six, a hurricane that makes landfall, or the effects of wind speeds on firefighting. Well, I guess I do pay some attention, but for me, the weather horizon is close in because waaaay up here in Northwest Minnesota, we usually have our hands full just watching and responding to our own “interesting” weather patterns.
So, all that said, what’s the meat of today’s post? Well, actually, this is the first of several posts good for “getting through the winter,” should the overcast sky predominant, the temps plummet, and the snow bunnies bounce down Bemis Hill reveling in snow 48 to 60 inches deep. Keep these poetic gems handy as winter deepens, the snow piles pile up, and the temps do what temps do.
The poems are presented first. Then under the usual “Background” section, you’ll find a brief comment on each of the poems/poets.
Jingle all the way . . . !
Deck the halls. . .!
Rest ye merry gentle persons. . .
winter is coming.
POEMS for GETTING THROUGH THE WINTER. . .
whatever that means
Nikki Giovanni
i
only want to
be
there to kiss you
as
you want to be kissed
when
you need to be kissed
where
i want to kiss you
cause
its my house and i plan to live in it
i
really need to hug you
when
i want to hug you
as
you like to hug me
does
this sound like a silly poem
i
mean its my house
and
i want to fry pork chops
and
bake sweet potatoes
and
call them yams
cause
i run the kitchen
and
i can stand the heat
i
spent all winter in
carpet
stores gathering
patches
so i could make
a
quilt
does
this really sound
like
a silly poem
i
mean i want to keep you
warm
and
my windows might be dirty
but
its my house
and
if i can't see out sometimes
they
can't see in either
english
isn't a good language
to
express emotion through
mostly
i imagine because people
try
to speak english instead
of
trying to speak through it
i
don't know maybe it is
a
silly poem
i'm
saying it's my house
and
i'll make fudge and call
it
love and touch my lips
to
the chocolate warmth
and
smile at old men and call
it
revolution cause what's real
is
really real
and
i still like men in tight
pants
cause everybody has some
thing
to give and more
important
need something to take
and
this is my house and you make me
happy
so
this is your poem
be there to kiss you
as you want to be kissed
when you need to be kissed
Mary Oliver
You
do not have to be good. |
You
do not have to walk on your knees |
for
a hundred miles through the desert repenting. |
You
only have to let the soft animal of your body |
love
what it loves. |
Tell
me about despair, yours, and I will tell you mine. |
Meanwhile
the world goes on. |
Meanwhile
the sun and the clear pebbles of the rain |
are
moving across the landscapes, |
over
the prairies and the deep trees, |
the
mountains and the rivers. |
Meanwhile
the wild geese, high in the clean blue air, |
are
heading home again. |
Whoever
you are, no matter how lonely, |
the
world offers itself to your imagination, |
calls
to you like the wild geese, harsh and exciting - |
over
and over announcing your place |
in
the family of things. |
Kyle Carrero Lopez
Prisons and cops survive only in tales for the younglike twin Atlantises or two drowned boogeymen.
A cop’s as harmless a Halloween getup as any
monster, while a prisoner costume’s as taboo as a slave one
now that schools teach what makes them kin.
A prison is the far-off past of a structure
turned free housing, each cell wall knocked to sandcastle
ruin, halls reshaped and re-dyed in green paints,
former floor plans carved out like shores
into spacious homes, laundry and A/C a given in each.
Though prisons and cops won’t be found anywhere,
our youths still learn of them, and they know what they mean,
how they look, how they function, what it will take to stop them if they return with new names.
Background:
My House
Nikki Giovanni has courage. There’s no holding back from including short conversations between poetry and the poem. Nikki seems to be talking directly to us and comforts us with her rhythm and flow. She even has the confidence to wonder whether this poem might be a silly poem, but she keeps going anyway. My take is that Nikki is a samurai poet, and her pen is her katana, taking your metaphorical head off before you know the sword is out of its scabbard and cutting through your illusions.
Wild Geese
Mary Oliver is a poet whose name is recognized even by those who don’t care for the art. Some people say that this poem comforts them more than any other verse. Like Nikki Giovanni, Mary Oliver doesn’t shy away from the straightforward – the truth. Note how she begins, Wild Geese: “You do not have to be good.” Then there’s the invitation to have a dialogue with Mary – about “despair.”
After Abolition
Kyle Carrero Lopez will definitely light your fire this winter, and he will poke about your embers until you blaze. If you want a distraction, as well as a short dive into social activism, pull out this short poem by Lopez. Some of us have been doing our best to ignore the troubles experienced (and escalating) with justice, prisons, and equity. The depths of the season, may be a good time to consider these matters, and to decide how, if at all, you personally fit, serve, or otherwise attend to these concerns.
Exploration 1: What is winter to you? Sure, it’s something to complain about, just like the heat in summer; but really, dig deep and get in touch with your relationship with the season that arguably is the most controversial of them all.
Exploration 2: Wild Geese – Consider the poem’s first line. Is it okay “not . . . to be good” in this historical pandemic? Would “not being good” give us a reprieve from this long-haul relationship with the virus?
Exploration 3: Is winter an appropriate time to consider and act on serious matters, such as social unrest, police departments, racial equity, systemic racism? For you, is any time an appropriate time?
ReplyDeleteCold weak coffee. That’s what winter’s like to me. I counter with the strong hot kind. Just one (20 oz) cup per day. Any more puts me in the ditch. Winter is a snow filled ditch. It’s staying home immobilized. Like a shriveled grasshopper.
The first poem is fun. She smiles at old men. Blessed is she. But I’m done with tight pants. It’s my closet.
Poem two takes the long view in which there’s no point in beating yourself up.
Poem three is a dream, like the book of Revelation.
Sun came up at 8:13 today. It will keep coming up later for a couple of weeks as earth skids in its orbit.
But sunset is getting later too and we’re gaining seconds and minutes every day. It’s getting better day by day.
How wonderfully thought-provoking these all are, especially Nikki Giovanni's first one. Delightfully playful. Great stuff that.
ReplyDeleteAs was Mary Oliver's Wild Geese, it is almost as she is imprisoned in Lopez's prison looking out, taking herself far away from there. It reminded me of sitting in my house in Des Moines, late one evening in 1974 or 75, with the sounds of traffic nearby, the rumble of freight trains down the block, the television on, when I heard, far far away, the sounds of geese overhead.
I listened, intensely; shutting out all the other extraneous noises, wanting to have heard them and it not be a figment of my imagination, and my wife (#1) not think that once again I exhibited a touch of madness with which she was all too familiar, when I stood up from my chair and tore out of the living room, the dining room, the kitchen, and quickly opened the inside porch door, then the storm door, and ran out into the yard and out from under the big box elder tree, frantically looking up through the overhead wires, through the filter of street lights and headlights to the stars 'way overhead -- and saw them, tiny flecks of gray down breast and wings heading north . . . calling to me to join them.