Poetic Inaugurations
John F. Kennedy / Robert Frost
Bill Clinton / Miller Williams / Maya Angelou
Barack Obama / Richard Blanco / Elizabeth Alexander
Joe Biden / Amanda Gorman
Last Thursday, Wannaska Writer (WW) published an article written by The Chairman wherein The Chairman wrote, and I quote, “Thank you for reading this article [‘Get Rich With Poetry’], and congratulations: You are a part of the .01% of the population that will read a story with the word ‘poetry’ in the title.” Later, he said, “It’s tough for a newcomer to break in. We unknown poets need a local forum.”
That all changed last Wednesday, the Inauguration Day of President Joe Biden and Vice President Kamala Harris, where entertainment/homage for the new leaders, and for the country they now lead were offered by the likes of Lady Gaga and Garth Brooks. Hard acts to follow on any day. But followed they were. Late in the program, the 2021 U.S. Youth Poet Laureate, Amanda Gorman, a woman in her early twenties and Harvard-educated, was able to “break in,” to become internationally known for her recitation to millions in a global forum.
Ms. Gorman is only the fourth person to recite her work at a U.S. inauguration of its highest public offices. Note the pairs at the top of this post where the politician-poet duos are listed. Considering Ms. Gorman’s appearance last Wednesday, it seems like a good time to remember the other three poets given the honor of reading at a presidential inauguration.
If you want to read from the source of what’s written below, see Emily Temple here.
1993: Bill Clinton/Maya Angelou
On the Pulse of Morning
Each of you, descendant of some passed
On traveler, has been paid for.
You, who gave me my first name, you,
Pawnee, Apache, Seneca, you
Cherokee Nation, who rested with me, then
Forced on bloody feet,
Left me to the employment of
Other seekers—desperate for gain,
Starving for gold.
You, the Turk, the Arab, the Swede, the German, the Eskimo, the Scot,
You the Ashanti, the Yoruba, the Kru, bought,
Sold, stolen, arriving on the nightmare
Praying for a dream.
Here, root yourselves beside me.
I am that Tree planted by the River,
Which will not be moved.
1997: Bill Clinton/Miller Williams
Of History and Hope
We have memorized America,
how it was born and who we have been and where.
In ceremonies and silence we say the words,
telling the stories, singing the old songs.
We like the places they take us. Mostly we do.
The great and all the anonymous dead are there.
We know the sound of all the sounds we brought.
The rich taste of it is on our tongues.
But where are we going to be, and why, and who?
The disenfranchised dead want to know.
We mean to be the people we meant to be,
to keep on going where we meant to go.
2009: Barack Obama/Elizabeth Alexander
Praise Song for the Day
Say it plain: that many have died for this day.
Sing the names of the dead who brought us here,
who laid the train tracks, raised the bridges,
picked the cotton and the lettuce, built
brick by brick the glittering edifices
they would then keep clean and work inside of.
Praise song for struggle, praise song for the day.
Praise song for every hand-lettered sign,
the figuring-it-out at kitchen tables.
2013: Barack Obama/Richard Blanco
One Today
My face, your face, millions of faces in morning’s mirrors,
each one yawning to life, crescendoing into our day:
pencil-yellow school buses, the rhythm of traffic lights,
fruit stands: apples, limes, and oranges arrayed like rainbows
begging our praise. Silver trucks heavy with oil or paper—
bricks or milk, teeming over highways alongside us,
on our way to clean tables, read ledgers, or save lives—
to teach geometry, or ring-up groceries as my mother did
for twenty years, so I could write this poem.
2021: Joe Biden/Amanda Gorman
The Hill We Climb
When day comes we ask ourselves,
where can we find light in this never-ending shade?
The loss we carry,
a sea we must wade
We've braved the belly of the beast
We've learned that quiet isn't always peace
And the norms and notions
of what just is
Isn’t always just-ice
And yet the dawn is ours
before we knew it
Somehow we do it
Somehow we've weathered and witnessed
a nation that isn’t broken
but simply unfinished
We the successors of a country and a time
Where a skinny Black girl
descended from slaves and raised by a single mother
can dream of becoming president
only to find herself reciting for one
And yes we are far from polished
far from pristine
but that doesn’t mean we are
striving to form a union that is perfect
We are striving to forge a union with purpose
To compose a country committed to all cultures, colors, characters and
conditions of man
And so we lift our gazes not to what stands between us
but what stands before us
We close the divide because we know, to put our future first,
we must first put our differences aside
We lay down our arms
so we can reach out our arms
to one another
We seek harm to none and harmony for all
Let the globe, if nothing else, say this is true:
That even as we grieved, we grew
That even as we hurt, we hoped
That even as we tired, we tried
That we’ll forever be tied together, victorious
Not because we will never again know defeat
but because we will never again sow division
Scripture tells us to envision
that everyone shall sit under their own vine and fig tree
And no one shall make them afraid
If we’re to live up to our own time
Then victory won’t lie in the blade
But in all the bridges we’ve made
That is the promise to glade
The hill we climb
If only we dare
It's because being American is more than a pride we inherit,
it’s the past we step into
and how we repair it
We’ve seen a force that would shatter our nation
rather than share it
Would destroy our country if it meant delaying democracy
And this effort very nearly succeeded
But while democracy can be periodically delayed
it can never be permanently defeated
In this truth
in this faith we trust
For while we have our eyes on the future
history has its eyes on us
This is the era of just redemption
We feared at its inception
We did not feel prepared to be the heirs
of such a terrifying hour
but within it we found the power
to author a new chapter
To offer hope and laughter to ourselves
So while once we asked,
how could we possibly prevail over catastrophe?
Now we assert
How could catastrophe possibly prevail over us?
We will not march back to what was
but move to what shall be
A country that is bruised but whole,
benevolent but bold,
fierce and free
We will not be turned around
or interrupted by intimidation
because we know our inaction and inertia
will be the inheritance of the next generation
Our blunders become their burdens
But one thing is certain:
If we merge mercy with might,
and might with right,
then love becomes our legacy
and change our children’s birthright
So let us leave behind a country
better than the one we were left with
Every breath from my bronze-pounded chest,
we will raise this wounded world into a wondrous one
We will rise from the gold-limbed hills of the west,
we will rise from the windswept northeast
where our forefathers first realized revolution
We will rise from the lake-rimmed cities of the midwestern states,
we will rise from the sunbaked south
We will rebuild, reconcile and recover
and every known nook of our nation and
every corner called our country,
our people diverse and beautiful will emerge,
battered and beautiful
When day comes we step out of the shade,
aflame and unafraid
The new dawn blooms as we free it
For there is always light,
if only we’re brave enough to see it
If only we’re brave enough to be it
Utterly fantastic. What a way to start the day . . . teary-eyed, but inspired, I tell you. If I had any new poems I might enter one here; haven't written anything like that for an eternity -- and by 'like that' I mean of length.
ReplyDeleteBrevity has never been my strong suit, so I'll never Tweet. Texting has proved to be too limiting as well, as most of my contacts glimpse their beginnings and simply call me because they've not the time to read them. And calling someone is, for me, a mighty effort, an affliction I suggest, born of procrastination than inability.
These epic poems are best read aloud to the masses, who can stand or sit, fidgeting from one foot to another in the cold or auditorium, roll ahead a little or backward a little in their wheelchairs, lean back on two legs of their chairs, readjust one of their tired buttocks on a steel folding chair, wish they had brought their inflatable tube seat they left in their car because they didn't want to be seen carrying it in a crowd, but to realize later they would've been the envy of all around them. "Who knew these poems would be so long? Good grief!"
No, poems like these rise to the occasion, stir the imagination, invoke faith and purpose, provoke passions, wrench emotion even from stolid upright/uptight individuals, and live on to become memorable passage the rest of our lives. All hail ye!
And that being said, I should also add, poetry being this wondrous vehicle of truth and all things -- should also be fun and imaginative, spontaneous -- even goofy, especially on cloudy or sunny days and nights, in that Dr. Suess way. I offer readers an old previously published poem of my own -- please pardon its length:
“Just of Scientific Mind:
The Chicken Coop Revisited.”
by Steven G. Reynolds
Gramma Eff was not deaf,
not dumb, nor was she blind.
She was not daft this Gramma Eff,
just of scientific mind.
She wore knee boots,
a long white coat,
goggles, special gloves,
and entered in,
a study of,
chickens, and their loves.
“Chickens, andtheir loves?” you ask,
increduoulsy, with one raised brow,
as if of what she studied hence
made a mockery of you now.
Gramma kept her chickens clean
and altho you might think it mean
she washed their feet, their beak, their bod
--the neighbors thought it very odd.
That no one out should enter in
Gramma’s little chicken pen
For Gramma too, removed her clothes
her boots, her coat, her goggles--those
gloves, that Gramma always wore
whenever she opened that very door
of all her chicken coops there we’ve learned
strangers there, their presence spurned
Gramma found these chickens smart,
they liked color, music, art.
Gramma learned their innate needs
went far beyond mere chicken feed.
Gramma and her chickens, thus
studied Latin, Picasso, chicken lust.
While roosters with their reddened combs
strutted about, saliciously roamed.
“It’s deeper than that.” these chickens knew
their lives had secret meaning
There was more to life than pecking grit,
poetry--was their leaning.
Sunlight streams past five silent beaks.
as Gramma reads them poems by Keats,
Closed red eyes and rhythmic breasts,
quiet now pervades their rest. Shhhh.
A drawn out cluuuuck is hardly heard
from this dark room from these dark birds
The hens all chant after mash sedation
during their chicken coop meditation.
Tell all the world, think not the least,
your Gramma Eff could talk to beasts.
From any point north, south, east, or west
Gramma Eff was the first ‘eggstentialist’.
I'm gratified that this post inspired you so early in the day. Many thanks for your kind words and for your poetic offering. I'll make a few, short comments here, and call you later on the poem, itself. (Tee Hee - Don't wait around for the phone to ring.)
DeleteYou say that poetry "... should also be fun and imaginative, spontaneous -- even goofy, especially on cloudy or sunny days and nights ..." I warn you on this account - you're going to love my newest poem, "Bones, Claws, and Spades," forthcoming on a Monday before the end of winter. It is so long (in pseudo-epic style) that it is broken into "episodes."
Your statement, "... poetry being this wondrous vehicle of truth ..." is itself true and wondrous. Anyone who recognizes this is no doubt highly sensitive to all things living, and capable of writing eloquently about them, regardless of the length of the writing needed to capture life.
DeleteI saw “The Chicken Coop Revisited” framed and hung in a chicken coop near Duluth. How’s that for poetry appreciation.
There’s talk of VP Harris running for President in 2024. I suggest WW have a poem ready for when he gets the call.