Several weeks have passed since the most recent posting of a segment from The One. Endings are difficult, and this ten-segment of the eleventh Song, Dragons True,” is no exception. The next time you see a post featuring The One, a new Song will have opened – number 12.
But for now, we remain with EndMaker and the mysterious girl. The main character with Argose have been sliding deeper and more steadily into their world inside the cave. All along, EndMaker doesn’t act like we imagine a Dragon should; the girl deports herself more like a bat than a human. Yet, the two cave dwellers communicate perfectly, and even bring in Argose and his master to the dual mind of Dragon and girl. Just as with Shield Bearer, the main character, and his faithful buddy merge farther into the inner world of Dragons and other startling creatures.
What’s to be gained by all these fantastic experiences? Why do we love Dragons, monsters, and Dragon-monsters so much? A few fantasy films include a docile Dragon, or one that has formed some sort of alliance with a human character. But something is missing as we reach the midpoint of this epic. Can you apprehend what that might be?
Background
If you follow Mondays on this blog where I post, you will know that I grew up trapsing around a small airport in Central Wisconsin far away from the nearest small town. Because of the distance, I had no real friends, but I did have dozens of imaginary ones. In a space between a quonset and a cinder block hangar, I kept my imaginary horses and Dragons. The space had a cave-like feel to it, and the prairie wind blew fiercely through it, even when outside of the “cave,” all was calm. Both horses and Dragons presented varied colors; the horses had brilliant, unusual tack; the Dragons were ferocious to all but me, and I felt the mistress of all I saw.
Why do young humans (or all of us?) conjure up such shining creatures? Looking back, I could see that I needed to leave my environment; I wanted to ride away, farther, and farther. You see, I felt quite trapped; a butterfly of sorts in a too-small box. Of course, that’s where the horses come in. And the Dragons? Well, I was small and comparatively weak. I needed companions who could and would protect me and keep away those others that I feared. The horses gave me freedom. The Dragons provided protection . . . if only in my imagination. Like all children, eventually, I had to learn to provide these abilities myself.
Exploration 1: Now, at the end of Song 11, what take-aways do you have? Do the ten segments of this Song come together and provide “lessons-learned,” or is it all “just” imagination or fantasy?
Exploration 2: Did you notice that both EndMaker and the girl appear to be five hundred years old? Why this similarity? Coincidence? Meaningful? Why so old, if true?
Exploration 3: What do you foresee for EndMaker and the girl? Will they survive? Will they appear again in this epic?
ReplyDeleteI’ll give you my takeaways. The first sections were primordial, poetic, dreamy. At length a narrative was born. A dissatisfied young main character. Could this be biographical? Down the river in a boat. The human companion was not up to snuff, but the dog has grit. The reader can be forgiven for not seeing all the dragons. But in a dark cave we do see one.
The girl and EndMaker are facets of one being, IMHO.
Will they survive to the end. ? He’s got the name for it. Take it to the limit, one more time.